Showing posts with label Paul McCartney. Show all posts
Showing posts with label Paul McCartney. Show all posts

Friday, June 13, 2014

John Lennon's Last Live Performance At "The Salute For Sir Lew Grade"

John Lennon's last public music performance was taped April 18th, 1975 (I know! Almost 40 years ago) at the Waldorf Astoria in New York City. The occasion was a televised tribute (shown in the United States in June of that year) for entertainment impresario, Sir Lew Grade, which was called "A Salute For Lew Grade". Many other performers were involved in the tribute but the inclusion of John Lennon certainly must have raised some stuff-shirt eyebrows.

(John Lennon during his last live performance. All photos under Fair Use.)

Back in 1963, newly popular band The Beatles, were selling records at a phenomenal rate in Great Britain mostly due to the songwriting partnership of John Lennon and Paul McCartney. A limited company, Northern Songs, was founded to publish the music of not only Lennon-McCartney, but George Harrison and Ringo Starr, too. The founders were The Beatles' music publisher, Dick James and his partner, the group's manager Brian Epstein, John Lennon and Paul McCartney. In an move to avoid paying high capital gains taxes, Northern Songs went public in 1965. This move also allowed Harrison and Starr to acquire some of their own stock in the publishing company.

There's the short version and now we flash forward to 1969. Less than eighteen months after the death of Epstein, Dick James and his partner sold their shares to Associated Television (ATV), which was run by Lew Grade. They sold without any warning to The Beatles, and Lennon and McCartney's attempts to retrieve a majority interest in the publishing rights to their own songs failed. Under the contractual obligations signed by Lennon and McCartney, any further songs they created whether together or separately would be controlled by ATV until 1973. With their song writing partnership all but dissolved and The Beatles as a band no longer in any real existence, both Lennon and McCartney sold their shares in Northern Songs in late 1969. Although they would continue to receive writer's royalties on their Beatle songs, Lennon and McCartney no longer had any control over the music publishing company they had help co-found.

Although Lennon was understandably bitter toward Dick James' actions in selling out without any notice, he was more upset with Sir Lew Grade and his deep pockets and influence which forced Lennon to relinquish his shares in Northern Songs. Lennon often referred to him as 'Sir Low Grade'. Why then, in 1975, would Lennon agree to appear on a TV special saluting the man? The first answer was the fact that Lennon had a new album on the market, "Rock And Roll Music", that he wanted to promote. This album was his last under his current recording contract, which he chose not to renew, allowing him to retreat from the music business until his return in 1980. The second answer was that appearing he and Grade's company wrapped up any pending litigation between the two. The third, and most important answer, was an opportunity to stick it to the man of which Grade was one who Lennon described as being, "...sick to death of being fucked about by men in suits sitting on their fat arses...!".

Although Lennon and his back-up band recorded three songs, only two made it onto the televised version, "Slippin' And A Slidin'" and "Imagine". Lennon sang live to a mostly pre-recorded music track and it is by far one his best live vocal performances. One line of the lyric to the former song was obviously directed to Grade, "oh big conniver, nothing but a jiver, I done got hip to your jive". More telling, however, was Lennon's choice of his back-up band and the make-up they wore. The band's name was Brothers Of Mother Fuckers which obviously could not be mentioned on television, so they were dubbed Etcetera for this occasion. In the existing video from the show, the kick drum still has the initials B.O.M.F. on it for all to see.

The prosthetic make-up pieces the band wore were designed and paid for by Lennon. As can be seen in the picture below, this gave the impression of two faces. None too subtly, Lennon was making his feelings known about Grade's well-known two-faced behavior.

(A close-up screen grab of the two-faced prosthetics worn by the back-up band and designed by John Lennon.)
Did Sir Low Grade get any of this? Unknown. There are some out there in interweb land that don't even get why Lennon appeared on the show to begin with. Some say he was at a low point in his career and succumbed to appearing on a schmaltzy tribute show as a next step to perhaps playing 40 weeks a year at some Las Vegas lounge. Nothing, of course, could be further from the truth. John Lennon retired from the music business for nearly five years to raise his son, Sean, recorded countless demos, travel and let Yoko Ono earn millions from shrewd investments. By 1980, he was ready to return to recording music under his terms and not some men in suits.

(John Lennon cavorts backstage with his back-up band, dubbed Etcetera for the television audience, but actually called Brothers Of Mother Fuckers.)


Below is a clip of John Lennon's performance. If you would like to view the entire program, click this link. Lennon makes his appearance at about the 22 minute mark.




 

Wednesday, February 5, 2014

HEY! There Are Three Living Ex-Beatles, Not Two

2014 is an all year celebration of all things Beatle because it's the 50th anniversary of the group's conquering of America. Some false or misleading stories are bound to get unfortunate repeats in the coverage, however, it's curious that the media continue to claim (without embarrassment) that there are only two living ex-Beatles. I don't want to spoil the party, but there are actually three living ex-Beatles.

Ringo Starr and Paul McCartney, of course, are the people always cited as the "two living ex-Beatles"; but the band's original drummer, who was in the band for over two years is still alive, too, and his name is Pete Best. Probably nowhere in rock and roll history does the mere mention of one name, Pete Best, conjure up a synonym for unlucky. But, like most "reasons" given for Best's firing by The Beatles, thinking of Best as having the worst luck is too simplistic. Like it or not, Best was a member of The Beatles and that deserves his rightful place in history.

(1962, The Beatles (with Pete Best) pose for their first publicity photos wearing suits. Fair Use photo.)

The short story is that in 1960 while casting about (yet again) for a drummer, before an imminent gig in West Germany, John Lennon, Paul McCartney and George Harrison learned their friend had recently purchased a drum kit. They asked Best to join the group and he agreed. After numerous gigs and apparently on the brink of stardom, The Beatles' new manager, Brian Epstein, fired Best in August, 1962. Epstein was reluctant to do the job, but the others insisted because they had decided to replace Best with Ringo Starr. The other Beatles had played with Starr before on several gigs that Best had missed. Whether or not Best was not as good a drummer as Starr is a moot point because for the sound The Beatles were creating (read: Lennon/McCartney) Starr was the drummer they believed suited it best (if you'll pardon the pun).

"We were cowards when we sacked him", Lennon said later. "We made Brian do it. But if we'd told Pete to his face, that would have been much nastier. It would have probably ended in a fight." Fight or no, out of guilt, Epstein put Best into his own band, which, of course, never gained any traction. By 1965, he was so depressed he attempted suicide, only to be saved by his brother. Although it took time, Best lost his bitterness toward his ex-band mates, and after a career in civil service, he got back behind the drums, where he seems pretty happy today.

(A recent photo of Pete Best. Reprinted under Fair Use.)

When The Beatles released their Anthology Vol. 1 album, many of the songs that Pete Best drummed on, rehearsal tapes, demos and even the EMI audition, were included. Were The Beatles who were still alive in 1995 finally owning up to some guilt? Doubtful, as they obvious made the correct decision in 1962, even though they didn't handle it well. More likely, it was a way of (finally) paying Best back some of his due for the over two years he was their drummer. So, cheers to you, one of the three living ex-Beatles!
 

Sunday, August 26, 2012

Part 3 - THE BEATLES- "John Is In Fact The Leader Of The Group"

PART 3

1968 -
single:
LADY MADONNA - PAUL
THE INNER LIGHT - GEORGE
Single number seventeen (and you know what I mean) is the first single released without a primarily written song by John. He wanted Across The Universe to be the single. The horns certainly help the A-side, along with some more Beach Boys style backing vocals. The B-side is maybe George's finest hour. Or, at least his best melody.

single:
HEY JUDE - PAUL
REVOLUTION - JOHN
Like the Hello Goodbye single before it, this is another head scratcher in the singles department. The original Revolution (found on "the white album") was deemed too slow by the other Beatles so John rewrote it with a fast tempo. Still, it wasn't accepted, instead the A-side is a slow song from Paul! What the hell? John must have been a tad confused by the whole affair. This single was the band's best selling one ever, in spite of the over seven minute A-side. John's rewrite features some of the dirtiest guitars they ever recorded.



(cover design by Richard Hamilton)
album:
The Beatles
After the colorful, eye-catching album covers of the previous years, this ninth album from the band was their first and only double album and adorned with a white cover (hence the nickname, 'the white album'). No singles were released from this album! 30 original songs! After the somewhat uneven nature of 1967's output, John, Paul and George rose to the fore with a delightful collection of songs that neatly ran the gamut of popular song genres. There were rules, too. Neither Paul or John could have more than two songs in a row on the album and their output restored a parity. The songwriters also should have shared producing credit.

Sunday, August 12, 2012

Part 2 - THE BEATLES - "John Is In Fact The Leader Of The Group"

PART 2

1966 -
single:
PAPERBACK WRITER - PAUL w/JOHN
RAIN - JOHN
After taking a well deserved break early in 1966 and another one after their last tour in August, The Beatles released only 16 songs this entire year. Their twelfth single marks the beginning of Paul dominated singles. It would be over a year and a half between John's last A-side and his next in the summer of 1967.
Paperback Writer is notable for being a non-love song and Paul's new Rickenbacker bass guitar was quite an ear-opener for the time. The B-side certainly showed the advanced experimentation in John's work. The first use of backward vocals on a record.

single:
YELLOW SUBMARINE - PAUL w/JOHN + DONAVON
ELEANOR RIGBY - PAUL
The A-side has Ringo singing one of band's more catchable melodies written mostly by Paul with help from John and an uncredited Donavon, whose song Mellow Yellow may or may not have been a direct influence. The B-side features Paul backed by a string octet and a haunting refrain. Another #1 single and the only one starring Ringo.


(cover collage by Klaus Voormann)

Thursday, August 9, 2012

THE BEATLES - "John Is In Fact The Leader Of The Group"

PART 1

In October, 1962 The Beatles gave their very first radio interview barely three weeks after the release of their first single, "Love Me Do/P.S. I Love You" on Parlaphone Records. While explaining to the interviewer that the lead guitarist is not the leader of the group, Paul McCartney says, "...John is in fact the leader of the group." In looking over the recorded output by the band it is clear that John Lennon was the leader of the group, writing a vast amount of the group's songs through 1966. Then, in 1967, his songwriting declined drastically as Paul took over the group with his songs until the following year when John began to reassert his dominance. This resulted in an uneasy alliance between Lennon-McCartney which could not be sustained, eventually leading to John leaving the group he had founded and was "in fact" the leader.

When The Beatles started out, the currency of their trade was records, specifically the coveted singles, the seven inch vinyl 45rpm discs that were the mainstay of the record industry. It was unusual at the time for a songwriting duo such as Lennon-McCartney to write a majority of their own output. It is no secret that Lennon and McCartney were very competitive and they actually co-wrote very few of the group's songs. The following is a chronological look at the rise of the leader of the group's songwriting output, it's sudden decline and eventual re-emergence.

1962 -
single:
LOVE ME DO - PAUL
P. S., I LOVE YOU - PAUL w/JOHN
Being neophytes to the big recording studio, John and Paul readily agreed with their new producer, George Martin's song choices for their first single. The A-side was a song Paul wrote back in 1957 and prominently features John's harmonica. The B-side was another Paul original with some help from John. The single peaked at #17 in the United Kingdom and #1 in America after the group made it big there in 1964.